The drums of war are beating again! Peter Criss, the iconic Catman of KISS, is firing back at Gene Simmons, disputing Simmons' recent claims about the creation of the band's mega-hit, 'Beth.' This isn't just a squabble; it's a clash of perspectives on a song that defined an era. Let's dive in.
Criss is countering Simmons' assertion that he had minimal involvement in 'Beth,' a song Criss co-wrote and sang. Originally a B-side to 'Detroit Rock City,' 'Beth' unexpectedly soared, becoming KISS's biggest hit, reaching No. 7 on the Billboard Hot 100. It earned gold certification from the RIAA and won a People's Choice Award in 1977. The song's success was a pivotal moment, appearing on KISS's first platinum-selling album, Destroyer.
Simmons, in an interview with YouTube's Professor of Rock, downplayed Criss's role, stating he 'had nothing to do with that song.' But here's where it gets controversial: Criss, who recently released his first solo album in 18 years, vehemently disagrees. He told Billboard that Simmons' account is 'not correct.'
Criss's perspective is clear: Simmons wasn't involved in the song's early stages. Criss explains that he wrote the melody and phrasing for the original demo, 'Beck,' with Stan Penridge. The core melody, Criss says, remained in the reworked version of 'Beth,' with Penridge's verse and chorus. The song was further developed with producer Bob Ezrin, who adjusted the tempo and added orchestration.
Criss emphasizes that Ezrin changed the title from 'Beck' to 'Beth.' He highlights Ezrin's contribution, including the orchestral arrangement that elevated the song. He recalls the day the New York Philharmonic recorded its part as one of the most beautiful of his life. Criss credits Stan Penridge, his own voice, and especially Bob Ezrin's musical genius for 'Beth's' success.
Ezrin's recollection aligns with Criss's, stating the original song was written by Criss and Penridge and was called 'Beck.' He felt it had potential, so he slowed it down, created the piano part, and made it more vulnerable. He also added a section in the middle of 'Beth'.
Criss also recalls that Gene and Paul Stanley initially disliked the ballad, but Bob Ezrin and the band's manager, Bill Aucoin, recognized its potential to attract a wider audience.
A point of contention: Criss also refutes Simmons' claim that drums aren't a musical instrument, arguing that drums are a fundamental part of music. He emphasizes their role in providing structure, tempo, and energy.
Criss, who has had a complex relationship with Simmons and Stanley over the years, is now focused on his new solo album and future projects.
What do you think? Do you agree with Criss's version of events, or do you see Simmons' perspective differently? Share your thoughts in the comments below!
